At the beginning of May I turned in my box cutter for a T-shaped Allen wrench. I said goodbye to the forklift and hello to the coiler, the hammered ear wire machine, and the eye-pin slider. Let me be plain: I transferred from the Receiving Team to the Machine Operator Team. . .
Archives for June 2011
Our own Yvonne Padilla uses molding compound and carving wax to create textures from inspiration she finds everywhere. In the following video Mark Nelson demonstrates this exciting method for trasferring texture to metal clay pieces:
Eleanore Macnish is a jeweler and lampwork bead artist who’s unique, large-scale pieces are filled with charming, unexpected details. Eleanore uses a variety of metals, gemstones, found objects, and glass beads of her own making to hand-craft stunning, wearable artwork. . .
What’s the best way to showcase a piece of jewelry fresh off the bench? Add shine and a gleaming finish to your work by polishing, burnishing, or tumbling. . .
Wayne Meeten sits with his shoes and socks off, his blue jeans rolled neatly at the cuff, sipping a glass of orange juice. He’s looking at me a bit incredulously about a question I asked. He had just finished describing his training in jewelry and metalsmithing, and it was quite the mouthful. . .
With a Swanstrom disc cutter, a mallet, and a ring mandrel, you can create simple, beautiful rings in minutes. Make a continuous, seamless ring from a sheet of mokumé gane, the Japanese alloy metal made with several layers of gold, silver, and copper. . .
Last night, at a swanky celebration dinner at JCK Las Vegas the twelve winners of the eleventh annual Saul Bell Design Award competition were announced. The long-awaited gala event represented the culmination of a year of creation, submission, and deliberation. Here are the spectacular winners. . .
In the following video Mark Nelson demonstrates the use of a simple fold forming technique to create a sculptural three-dimensional form in silver. . .