You’ve seen both kinds out there, no doubt. Kilns with firebrick interiors and kilns with ceramic fiber interiors–which is better for your metal clay work? Find out the differences between them and the benefits and drawbacks for each, based on the kind of firing you do in your studio or shop.
Yvonne M. Padilla, one of Rio’s beloved in-house jewelry artists, recently chatted with Heather Apodaca for our ongoing Rio Superstars series. In today’s interview Yvonne talks about the evolution of her career as an award-winning jewelry designer and BRONZclay™ expert. She also shares images of her diverse and beautiful work!
You asked for it…we’ve got it! Renaissance Wax is here and it’s flying off the shelf. Yvonne M. Padilla loves using Renaissance Wax on her finished BRONZclay™ pieces to seal in the rich color of the bronze. But it’s not limited to just bronze, the wax works on any metal, as well as other materials that need enhanced luster and protection. Check out The Studio today to learn more about this wonderful, versatile stuff!
Wanaree Tanner, metal clay artist extraordinaire, shares some delicious tidbits with our very own Bernadette Bennett about what inspires her work, how she embraces the process of art making (failures and all), and her continuing growth as an artist.
Bronze is a great alloy to use for creating musical tones, and BRONZclay makes it a snap to achieve a wide range of tones by allowing you to easily mold and manipulate the thickness and shape of your metal. . .